With the legend that is Grandmaster Flash on the decks and the Alizé cocktails in full flow, the Alizé Remixed 2008 finale at Paper Nightclub proved that Alizé is a legendary Liqueur on the music scene.
Not only did the party celebrate the delicious liqueur's 21st birthday but it also marked the end of the Alizé Remixed nationwide tour where Alizé searched the country looking for the next best DJs. After finding winners in Bristol, Leeds, Manchester, Birmingham and London, the DJs came together for a once in a lifetime opportunity to support the turntable originator on the decks.
The classics were flowing, and for three hours Flash proved why he is known as the Grandmaster! With his cohort DJ Demo bigging up Alizé over the mic and Flash wowing the club with his scratching and mixing of hip hop anthems, the crowd were literally begging for more.
With soul, pop and even Rock on the play list, the party (and champagne corks!) were popping till the early hours. As the clocks rolled back an hour, London Alizé Remixed winner DJ Cable stepped up and continued what Flash had started.
When the lights came up, clubbers were refusing to leave and even started impromptu accapella performances to try and eek out the last of an amazing night! Party-goer Sam Lewis said "Man, Flash is a legend! The dance floor was literally rocking and girls were all up on the chairs with their shoes in their hands! There was even a cocktail named after him to mark the occasion. Just amazing!" Rising Magician Damien was on hand to dazzle the crowd with his mind blowing Alizé Bottle tricks! With all kinds of objects appearing in bottles and disappearing out of them into thin air people were left confused, amazed and excited!
One of the highlights on the night were the 6 infamous diamond encrusted Alizé bottles! Valued at over £2000,00 per bottle and blinging under the club lights, they were closely guarded by security as people queued to take photos! Famous owners of these limited edition diamond encrusted bottles include Beyonce Knowles and Sarah Harding! For those who missed out on the hottest night London has seen all year the Alizé Remixed kicks off again in 2009.
Stay tuned to Alizé Remixed.com for details of the New Year's competition and tour dates.
Posted by Anna Nathanson
Sunday 30 November 2008
Wiley's New Album
WILEY
ALBUM: See Clear Now
Release Date: December 8th
SINGLE: Ca$h In My Pocket ft Daniel Merriweather Release Date: December 1st digital and physical
See Clear Now is the hotly anticipated new album by rapper, producer, MC Legend - Wiley due out on December 8th via the legendary Asylum Record label, a division of Atlantic Records.
Entering ground-breaking new musical territory, Wiley switches up the scene on this coming of age album which flows like a heavy-mixture of grime fused with funky-house with elements of everything wrapped in something new. Guests include Hot Chip, Kano, Daniel Merriweather, new kid on the grime block Scorcher, Pharrell protégé Kenna, Sam Young and Mark Ronson to name a few. The new album See Clear Now, will include the forthcoming, ‘Ca$h In My Pocket’ single, due out on December 1st digitally and physically. Produced by Mark Ronson and featuring the vocal talents of Daniel Merriweather, Wiley has read the mood of a nation hit by the global economic crises and has come up with an ode to the credit crunch of sorts. The album will also include the silver certified, Bless Beats produced smash hit single, ‘Wearing My Rolex’, which stormed the UK charts at number 2 earlier this year and the weather defying club smash – ‘Summertime’.
Kano joins a pensive Wiley on the piano led ‘5am’ which sees the two finding the time to appreciate the stillness of the twilight zone and vital unseen workers (cleaners, road sweepers, security guards paid by the hour) that enable London to function. The house beat driven ‘Can’t Stop Thinking’ communicates Wiley’s epiphany that now is the time to make the most of his abundant, under-rated talents. “I’ve been enjoying making this music coming up with a different sound and people can judge it how they want to judge it but, I’m not going to be limited to one type of sound”, says Wiley on his new album’s musical direction. “What I’ve learned is the more open minded you are, the more open-minded people accept you”.
It is impossible to overstate the importance and impact that Wiley has had on UK urban music. From UKG's 'Nicole’s Groove' to being a member of Pay As You Go, Boy Better Know and, of course, Roll Deep, this enigmatic MC and prolific producer has more than earned the title of Godfather of Grime but is now perfectly placed to take the scene to new boundaries with what will no doubt be his biggest album to date.
Track Listing 1.Ryder Intro /2.Wearing My Rolex /3.I Need To Be Me /4.Summertime /5.See Clear Now ft Kano & Scorcher /6.Ca$h In My Pocket /7.5AM ft Scorcher /8.Step By Step ft Hot Chip /9.Turn It Up /10.Cant Stop Thinking /11.I Am The Sea
www.myspace.com/eskiboywiley
Posted by Anna Nathanson
ALBUM: See Clear Now
Release Date: December 8th
SINGLE: Ca$h In My Pocket ft Daniel Merriweather Release Date: December 1st digital and physical
See Clear Now is the hotly anticipated new album by rapper, producer, MC Legend - Wiley due out on December 8th via the legendary Asylum Record label, a division of Atlantic Records.
Entering ground-breaking new musical territory, Wiley switches up the scene on this coming of age album which flows like a heavy-mixture of grime fused with funky-house with elements of everything wrapped in something new. Guests include Hot Chip, Kano, Daniel Merriweather, new kid on the grime block Scorcher, Pharrell protégé Kenna, Sam Young and Mark Ronson to name a few. The new album See Clear Now, will include the forthcoming, ‘Ca$h In My Pocket’ single, due out on December 1st digitally and physically. Produced by Mark Ronson and featuring the vocal talents of Daniel Merriweather, Wiley has read the mood of a nation hit by the global economic crises and has come up with an ode to the credit crunch of sorts. The album will also include the silver certified, Bless Beats produced smash hit single, ‘Wearing My Rolex’, which stormed the UK charts at number 2 earlier this year and the weather defying club smash – ‘Summertime’.
Kano joins a pensive Wiley on the piano led ‘5am’ which sees the two finding the time to appreciate the stillness of the twilight zone and vital unseen workers (cleaners, road sweepers, security guards paid by the hour) that enable London to function. The house beat driven ‘Can’t Stop Thinking’ communicates Wiley’s epiphany that now is the time to make the most of his abundant, under-rated talents. “I’ve been enjoying making this music coming up with a different sound and people can judge it how they want to judge it but, I’m not going to be limited to one type of sound”, says Wiley on his new album’s musical direction. “What I’ve learned is the more open minded you are, the more open-minded people accept you”.
It is impossible to overstate the importance and impact that Wiley has had on UK urban music. From UKG's 'Nicole’s Groove' to being a member of Pay As You Go, Boy Better Know and, of course, Roll Deep, this enigmatic MC and prolific producer has more than earned the title of Godfather of Grime but is now perfectly placed to take the scene to new boundaries with what will no doubt be his biggest album to date.
Track Listing 1.Ryder Intro /2.Wearing My Rolex /3.I Need To Be Me /4.Summertime /5.See Clear Now ft Kano & Scorcher /6.Ca$h In My Pocket /7.5AM ft Scorcher /8.Step By Step ft Hot Chip /9.Turn It Up /10.Cant Stop Thinking /11.I Am The Sea
www.myspace.com/eskiboywiley
Posted by Anna Nathanson
Tor's New Video
THE VIDEO 'GOING HOME' IS LAUNCHED ON CHANNEL U (sky 370)
vote # 3665
TO VOTE.... text 3665 to 81700
Check out the video
http://www.youtube.com/watch?v=QEExM13egqk
from the 'Beatz International' Compilation out JANUARY 12th 2009!
http://www.myspace.com/toruk
Posted by Anna Nathanson
vote # 3665
TO VOTE.... text 3665 to 81700
Check out the video
http://www.youtube.com/watch?v=QEExM13egqk
from the 'Beatz International' Compilation out JANUARY 12th 2009!
http://www.myspace.com/toruk
Posted by Anna Nathanson
New Website For Musicians
GROUNDBREAKING WEBSITE IS MAIN ATTRACTION FOR BUDDING MUSICIANS
Thousands descend on Kerchoonz.com to help their music careers take-off
Kerchoonz.com - the much anticipated answer to the music industry’s current downloading problem – has already attracted thousands of musicians during its beta launch. Unsigned bands and artists will be paid every time their tracks are downloaded or listened to. Acts will receive half a penny for every play and up to 10p for every download – by far the largest payments available to any act choosing to give away their music online. The new social networking site designed to provide musicians – both signed and unsigned – with everything they need to further their careers, has been put together by industry pros to keep music free for the fans while paying the artist. The site is turning heads in the music industry as it gives the internet a much needed wake-up call. “I can imagine it’s going to be huge and why not?” says former Stereophonics star Stuart Cable. “Becoming a professional musician in a band is the hardest job in the world - so to do it this way is great."
“It's great that a website is trying to do something different and give unsigned bands a chance to make some extra revenue from their music. Anything that shakes the internet up and tries to slow down the rate of illegal downloading can only be a good thing,” adds Caroline Beavon, music journalist and presenter for Kerrang! Radio. Kerchoonz.com is currently locked in talks with both independent and major record labels to bring further content to the site, providing a comprehensive music catalogue for fans. Acts can even earn money by recommending other bands and artists to the site and, with no limit on the number of people you can recommend, it’s the hardest working acts that will reap the greatest rewards.
Posted by Anna Nathanson
Thousands descend on Kerchoonz.com to help their music careers take-off
Kerchoonz.com - the much anticipated answer to the music industry’s current downloading problem – has already attracted thousands of musicians during its beta launch. Unsigned bands and artists will be paid every time their tracks are downloaded or listened to. Acts will receive half a penny for every play and up to 10p for every download – by far the largest payments available to any act choosing to give away their music online. The new social networking site designed to provide musicians – both signed and unsigned – with everything they need to further their careers, has been put together by industry pros to keep music free for the fans while paying the artist. The site is turning heads in the music industry as it gives the internet a much needed wake-up call. “I can imagine it’s going to be huge and why not?” says former Stereophonics star Stuart Cable. “Becoming a professional musician in a band is the hardest job in the world - so to do it this way is great."
“It's great that a website is trying to do something different and give unsigned bands a chance to make some extra revenue from their music. Anything that shakes the internet up and tries to slow down the rate of illegal downloading can only be a good thing,” adds Caroline Beavon, music journalist and presenter for Kerrang! Radio. Kerchoonz.com is currently locked in talks with both independent and major record labels to bring further content to the site, providing a comprehensive music catalogue for fans. Acts can even earn money by recommending other bands and artists to the site and, with no limit on the number of people you can recommend, it’s the hardest working acts that will reap the greatest rewards.
Posted by Anna Nathanson
New Blak Twang video!
This is hiphop at it's finest.. one of the reasons we love it so much is because every once in a while we are reminded of what real hiphop is all about.....meaningful lyrics with real feeling over music with true hiphop soul.
Check out the video for "SO HARD", the second single from the Blak Twang album "Speaking from Xperience", filmed in Lagos Nigeria by UK director Luke Biggins
http://www.youtube.com/watch?v=7i50V_AKD14
Posted by Anna Nathanson
Check out the video for "SO HARD", the second single from the Blak Twang album "Speaking from Xperience", filmed in Lagos Nigeria by UK director Luke Biggins
http://www.youtube.com/watch?v=7i50V_AKD14
Posted by Anna Nathanson
Christmas Partying
The Doctor's Orders present
On The Real
Bringing you true school Hip-Hop & Soul from Prince & Premier to Motown & Mos Def
10pm - 4am
Saturday 20th December 2008
@ Bar Rumba, 36 Shaftesbury Avenue, London W1 (Picadilly Tube)
£5 in advance through ticketweb.co.uk / 0844-477-1000
£10 on the door
Xmas Residents SpecialWith Resident DJsShortee Blitz (Kiss FM / Extended Players)DJ MK (Kiss FM / Roots Manuva)Spin Doctor (The Doctor's Orders)& YamWho? & Blackbeard in the bar
Every person through the door gets an early xmas pressie!
This is a double celebration! First it is crimble and we are therefore giving every person through the door a special early xmas pressie. Not only that but this night marks 6 months of The Doctor’s Orders bringing the very best of Hip-Hop, Soul, Disco & beyond to the heart of the west end! May not sound like much but we are the light in the darkness of mainstream R&B and Funky House and like those wise men from the east all those years ago the party people have followed our star.
Shortee Blitz is a shining light of the Hip-Hop scene in the UK. Whether supporting traveling US stars, holding it down on one of his two weekly Kiss FM shows or tearing the roof off clubs all over the globe one thing is for certain and that is that this MOBO award winning DJ is always going to be spinning with a smile on his face. Even more so now he is a resident at for a night dedicated to the Hip-Hop & Soul styles he truly loves.
DJ MK first came to prominence through his now infamous mid 90's mixtapes that are still the prize possessions of those wise enough to keep their tape decks well oiled. They now represent the blueprint for the sounds that MK will be spinning at this new night. When away from his day jobs as Roots Manuva's DJ & as Kiss FM's Thursday night Hip-Hop DJ extraordinaire he will be found doing what he does best, rocking crowds with the sounds of his beloved Hip-Hop.
Spin Doctor is the driving force behind the phenomenal success of The Doctor's Orders and while not planning domination of the UK's party scene is most at ease behind a set of decks. The early influence of his 5 older brothers and sisters record collections developed into an obsession with soul tinged music of all styles which he uses to this day when treating dance-floors to his fearless sets of party platters.
Between them YamWho? & Blackbeard have been responsible for the most soulful, jazz inspired productions to have come out of the UK in years. As producers they have remixed classic tracks by Lucy Pearl, Joss Stone, Pharrell, Jamiroquai and many more as well as producing albums of their own work. However it is behind a pair of decks that these boys come into their own. With brilliant selections of Soul, Disco, Broken Beat and House they always dazzle the crowd into a united mass of a throbbing dance-floor.
On The Real is promoted in association with King Apparel
Posted by Anna Nathanson
On The Real
Bringing you true school Hip-Hop & Soul from Prince & Premier to Motown & Mos Def
10pm - 4am
Saturday 20th December 2008
@ Bar Rumba, 36 Shaftesbury Avenue, London W1 (Picadilly Tube)
£5 in advance through ticketweb.co.uk / 0844-477-1000
£10 on the door
Xmas Residents SpecialWith Resident DJsShortee Blitz (Kiss FM / Extended Players)DJ MK (Kiss FM / Roots Manuva)Spin Doctor (The Doctor's Orders)& YamWho? & Blackbeard in the bar
Every person through the door gets an early xmas pressie!
This is a double celebration! First it is crimble and we are therefore giving every person through the door a special early xmas pressie. Not only that but this night marks 6 months of The Doctor’s Orders bringing the very best of Hip-Hop, Soul, Disco & beyond to the heart of the west end! May not sound like much but we are the light in the darkness of mainstream R&B and Funky House and like those wise men from the east all those years ago the party people have followed our star.
Shortee Blitz is a shining light of the Hip-Hop scene in the UK. Whether supporting traveling US stars, holding it down on one of his two weekly Kiss FM shows or tearing the roof off clubs all over the globe one thing is for certain and that is that this MOBO award winning DJ is always going to be spinning with a smile on his face. Even more so now he is a resident at for a night dedicated to the Hip-Hop & Soul styles he truly loves.
DJ MK first came to prominence through his now infamous mid 90's mixtapes that are still the prize possessions of those wise enough to keep their tape decks well oiled. They now represent the blueprint for the sounds that MK will be spinning at this new night. When away from his day jobs as Roots Manuva's DJ & as Kiss FM's Thursday night Hip-Hop DJ extraordinaire he will be found doing what he does best, rocking crowds with the sounds of his beloved Hip-Hop.
Spin Doctor is the driving force behind the phenomenal success of The Doctor's Orders and while not planning domination of the UK's party scene is most at ease behind a set of decks. The early influence of his 5 older brothers and sisters record collections developed into an obsession with soul tinged music of all styles which he uses to this day when treating dance-floors to his fearless sets of party platters.
Between them YamWho? & Blackbeard have been responsible for the most soulful, jazz inspired productions to have come out of the UK in years. As producers they have remixed classic tracks by Lucy Pearl, Joss Stone, Pharrell, Jamiroquai and many more as well as producing albums of their own work. However it is behind a pair of decks that these boys come into their own. With brilliant selections of Soul, Disco, Broken Beat and House they always dazzle the crowd into a united mass of a throbbing dance-floor.
On The Real is promoted in association with King Apparel
Posted by Anna Nathanson
New Big Smoke Magazine Out Now!!!
New Big Smoke out 29th November.
BIG SMOKE MAGAZINE SPECIAL 10TH ANNIVERSARY EDITION
WITH GUEST EDITOR BLAK TWANG
ISSUE 5 VOLUME 2 - £3.95
COVER ARTISTS ARE THE MIGHTY
DJ MENTAT, TB & STYLAH
ALSO FEATURES:RZA (WU-TANG), DJ KRUSH, SARAH LOVE (1XTRA)KILLA KELA, NEON NEON, MONGREL,DJ EXCALIBAH, JABBATHACUT, ASAVIOUR,GIGGS, SHOLMO & DJ YODA, SINCERE,STEVIE HYPER D, SKANDAL, JACK FLASH,MC TALI, MILLION DAN, HYDRO, TANER,FRANTIC FRANK, BENJI REID, RHYME ASYLUM,DEAD RESIDENTS & GUILTY SIMPSON
BIG SMOKE GALLERY FEATURING BLAK TWANG, TASKFORCE, FALLACY, EST’ELLE,KILLA KELA, SWAY, ROOTS MANUVA, PAPOOSE & WILEY.+GRAFF WITH MR FRAMES, GRAMMARPHONE WITH DISORDA, REVIEWS,A PHIL KNOTT GALLERY, FASHION WITH DILATE, KING, SUPREME BEING,THTC, URBANSHOP & YESNOMAYBE.
FREE PROMOTIONAL DJ MENTAT - DIRECTOR'S CUT CD WITH CLASSIC AND UNRELEASED TRACKS
(1) Smiler Feat StylahCRAZIEST (DJ Mentat remix)
(2) DJ Mentat Feat SkinnymanWhen I Give My Heart To You
(3) DJ Mentat Feat DiabolicMORNING LIGHT
(4) DJ Mentat Feat DURRTY GOODZWHATS HAPP’NIN’
(5) Tor Feat KLASHNEKOFFSTRIVIN’ HARDER (DJ Mentat remix)
(6) DJ Mentat Feat Roots Manuva & Seanie TRugged wid It’ (Unheard Remix)
(7) DJ Mentat Feat SyamanWhere I Wanna Be (Unheard Remix)
(8) DJ Mentat Feat MystroWaiting
(9) DJ Mentat Feat SkinnymanWhen I Give My Heart To You (Joe Buhdha remix)
(10) DJ Mentat Feat SyamanWhere I Wanna Be (Kelakovski Remix)
(11) DJ Mentat Feat Roots Manuva & Seanie TRugged wid It’ (Keith Lawrence remix)
(12) Mr. AlexanderNightlife (DJ Mentat remix)
FOR MORE, STORES, DIST ETC LOG ON TO http://WWW.BIGSMOKELIVE.COM
NEW WEBSITE EARLY DECEMBER.
Posted by Anna Nathanson
BIG SMOKE MAGAZINE SPECIAL 10TH ANNIVERSARY EDITION
WITH GUEST EDITOR BLAK TWANG
ISSUE 5 VOLUME 2 - £3.95
COVER ARTISTS ARE THE MIGHTY
DJ MENTAT, TB & STYLAH
ALSO FEATURES:RZA (WU-TANG), DJ KRUSH, SARAH LOVE (1XTRA)KILLA KELA, NEON NEON, MONGREL,DJ EXCALIBAH, JABBATHACUT, ASAVIOUR,GIGGS, SHOLMO & DJ YODA, SINCERE,STEVIE HYPER D, SKANDAL, JACK FLASH,MC TALI, MILLION DAN, HYDRO, TANER,FRANTIC FRANK, BENJI REID, RHYME ASYLUM,DEAD RESIDENTS & GUILTY SIMPSON
BIG SMOKE GALLERY FEATURING BLAK TWANG, TASKFORCE, FALLACY, EST’ELLE,KILLA KELA, SWAY, ROOTS MANUVA, PAPOOSE & WILEY.+GRAFF WITH MR FRAMES, GRAMMARPHONE WITH DISORDA, REVIEWS,A PHIL KNOTT GALLERY, FASHION WITH DILATE, KING, SUPREME BEING,THTC, URBANSHOP & YESNOMAYBE.
FREE PROMOTIONAL DJ MENTAT - DIRECTOR'S CUT CD WITH CLASSIC AND UNRELEASED TRACKS
(1) Smiler Feat StylahCRAZIEST (DJ Mentat remix)
(2) DJ Mentat Feat SkinnymanWhen I Give My Heart To You
(3) DJ Mentat Feat DiabolicMORNING LIGHT
(4) DJ Mentat Feat DURRTY GOODZWHATS HAPP’NIN’
(5) Tor Feat KLASHNEKOFFSTRIVIN’ HARDER (DJ Mentat remix)
(6) DJ Mentat Feat Roots Manuva & Seanie TRugged wid It’ (Unheard Remix)
(7) DJ Mentat Feat SyamanWhere I Wanna Be (Unheard Remix)
(8) DJ Mentat Feat MystroWaiting
(9) DJ Mentat Feat SkinnymanWhen I Give My Heart To You (Joe Buhdha remix)
(10) DJ Mentat Feat SyamanWhere I Wanna Be (Kelakovski Remix)
(11) DJ Mentat Feat Roots Manuva & Seanie TRugged wid It’ (Keith Lawrence remix)
(12) Mr. AlexanderNightlife (DJ Mentat remix)
FOR MORE, STORES, DIST ETC LOG ON TO http://WWW.BIGSMOKELIVE.COM
NEW WEBSITE EARLY DECEMBER.
Posted by Anna Nathanson
New Year's Eve Night Out
STACKED NEW YEAR’S EVE
9pm-4am Wednesday
31st December 2008
@ The Elbow Room, 89-91 Chapel Market, London N1 (Angel Tube)
DJ 279 (Choice FM)DJ MK (Roots Manuva / Kiss FM)DJ Lok & D.Bo
Playing the very best in upfront Hip-Hop, R&B, Bashment & Soul
£20 in advance / £30 on the door
Advance tickets available from www.ticketweb.co.uk / 08444-771-000
The Elbow Room, Chapel Market & Selected Stores
Anyone buying 5 or more tickets online get entered into a prize draw to win use of the private VIP room all night for them and their friends which would usually cost £250. The room includes a pool table, plasma screen, dvd player, fridge for drinks & table service.
Dress Code: No Caps, Hoods or Tracksuits
The Elbow Room presents what is the strongest urban line up of any club night this New Year’s Eve. With 2 of the UK’s most respected club & radio DJs in DJ 279 and DJ MK joined by Stacked residents DJ Lok & D.Bo this is sure to be the go to gig for London’s Hip-Hop heads.
DJ 279 boasts the UK’s longest running Hip-Hop radio show, Choice FM’s Friday Night Flavas, which has seen him nominated for 4 MOBO awards and winning 2007’s UMA for best Radio DJ. When not in the studio he might be found in any corner of the UK or the globe spinning to packed clubs often for urban music’s A-list including Jay-Z, P.Diddy, Method Man, Talib Kweli and tonight he blesses those wise enough to buy a ticket with a trademark set of dance-floor bangers.
Another of the champions of Hip-Hop on the UK’s airwaves is DJ MK who first came to prominence on the underground through his now legendary mixtapes compiled of the records he spent many years selling in London’s independent record stores. These mixes not only brought him to the attention of Kiss FM but also to a then unknown Roots Manuva with who he now travels the world as his DJ. More than happy to put in the hours and the miles MK is as likely to be heard cutting up doubles in Dubai as Dublin as only he can.
As the men who responsible for keeping Saturday nights at The Elbow Room bumping DJ Lok & D.Bo know what this crowd are after and always deliver. With years of experience playing the very best in Hip-Hop, R&B & Bashment between them they are sure to keep the club packed as people see the new year in with a smile on their face and a shuffle in the feet.
Posted by Anna Nathanson
9pm-4am Wednesday
31st December 2008
@ The Elbow Room, 89-91 Chapel Market, London N1 (Angel Tube)
DJ 279 (Choice FM)DJ MK (Roots Manuva / Kiss FM)DJ Lok & D.Bo
Playing the very best in upfront Hip-Hop, R&B, Bashment & Soul
£20 in advance / £30 on the door
Advance tickets available from www.ticketweb.co.uk / 08444-771-000
The Elbow Room, Chapel Market & Selected Stores
Anyone buying 5 or more tickets online get entered into a prize draw to win use of the private VIP room all night for them and their friends which would usually cost £250. The room includes a pool table, plasma screen, dvd player, fridge for drinks & table service.
Dress Code: No Caps, Hoods or Tracksuits
The Elbow Room presents what is the strongest urban line up of any club night this New Year’s Eve. With 2 of the UK’s most respected club & radio DJs in DJ 279 and DJ MK joined by Stacked residents DJ Lok & D.Bo this is sure to be the go to gig for London’s Hip-Hop heads.
DJ 279 boasts the UK’s longest running Hip-Hop radio show, Choice FM’s Friday Night Flavas, which has seen him nominated for 4 MOBO awards and winning 2007’s UMA for best Radio DJ. When not in the studio he might be found in any corner of the UK or the globe spinning to packed clubs often for urban music’s A-list including Jay-Z, P.Diddy, Method Man, Talib Kweli and tonight he blesses those wise enough to buy a ticket with a trademark set of dance-floor bangers.
Another of the champions of Hip-Hop on the UK’s airwaves is DJ MK who first came to prominence on the underground through his now legendary mixtapes compiled of the records he spent many years selling in London’s independent record stores. These mixes not only brought him to the attention of Kiss FM but also to a then unknown Roots Manuva with who he now travels the world as his DJ. More than happy to put in the hours and the miles MK is as likely to be heard cutting up doubles in Dubai as Dublin as only he can.
As the men who responsible for keeping Saturday nights at The Elbow Room bumping DJ Lok & D.Bo know what this crowd are after and always deliver. With years of experience playing the very best in Hip-Hop, R&B & Bashment between them they are sure to keep the club packed as people see the new year in with a smile on their face and a shuffle in the feet.
Posted by Anna Nathanson
Saturday 8 November 2008
Black Britanyaa
East London Hip Hop crew Black Britanyaa thrive on doing things differently and bring you “The Windrush Volume 2”, so called because Volume 1 was the actual Black migrants! The Windrush Volume 2 pays tribute to the musical traditions and legacies of past UK pioneers in Black music.
Starting with the innovative SS Windrush generations of Ska and Highlife to the sound system influences of Lovers Rock and through to the pioneering development of Jungle. The release of the album bears historical significance as it coincides with the 60th anniversary of the SS Empire Windrush landing at Tilbury Docks.
In a world of formulaic music, this conceptual album runs like an anthropology of Black British music, and the group guide you through that musical journey with social insight and personal honesty. It boasts 10 quality tracks submerged in Hip-Hop with different sounds from around the world. From Peruvian pan pipes; to Spanish guitars and even 80’s British Pop which gives “The Windrush Volume 2” an eclectic feel. For the lead single Aliens, Black Britanyaa cleverly rework Sting’s fabulous “Englishman in New York”, and root it firmly in the Black British experience. The song encapsulates Black Britanyaa as the second and third generation of migrants, forging a new identity that can contain their Britishness and Blackness.
The final track Libation is the ancient African ritual of pouring out of spirits to honour the ancestors and this ancient tradition is recreated in music. The song gives a moving account of a family’s struggles (including domestic violence) and pays homage to the hardship of the Windrush Generation who came in the 50’s and 60’s. With the unique vocals of UK living legend Omar, this song makes for a strong follow- up single. The MCs show a full range of emotional capabilities as demonstrated on tracks like the dark and moody “Devil’s Peak” to the reluctant love ode of “Lonely Roads”.
All of which gives the album an organic and rounded touch. At a time when Hip-Hop has almost been strangled by the bling, this album is a refreshing tonic as it pushes the boundaries of Hip-Hop both musically and lyrically.
The Windrush Volume 2 will be released in the UK on December 1st 2008.
Buy it at: www.seggedan.com www.myspace.com/britanyaa
Posted by Anna Nathanson
Starting with the innovative SS Windrush generations of Ska and Highlife to the sound system influences of Lovers Rock and through to the pioneering development of Jungle. The release of the album bears historical significance as it coincides with the 60th anniversary of the SS Empire Windrush landing at Tilbury Docks.
In a world of formulaic music, this conceptual album runs like an anthropology of Black British music, and the group guide you through that musical journey with social insight and personal honesty. It boasts 10 quality tracks submerged in Hip-Hop with different sounds from around the world. From Peruvian pan pipes; to Spanish guitars and even 80’s British Pop which gives “The Windrush Volume 2” an eclectic feel. For the lead single Aliens, Black Britanyaa cleverly rework Sting’s fabulous “Englishman in New York”, and root it firmly in the Black British experience. The song encapsulates Black Britanyaa as the second and third generation of migrants, forging a new identity that can contain their Britishness and Blackness.
The final track Libation is the ancient African ritual of pouring out of spirits to honour the ancestors and this ancient tradition is recreated in music. The song gives a moving account of a family’s struggles (including domestic violence) and pays homage to the hardship of the Windrush Generation who came in the 50’s and 60’s. With the unique vocals of UK living legend Omar, this song makes for a strong follow- up single. The MCs show a full range of emotional capabilities as demonstrated on tracks like the dark and moody “Devil’s Peak” to the reluctant love ode of “Lonely Roads”.
All of which gives the album an organic and rounded touch. At a time when Hip-Hop has almost been strangled by the bling, this album is a refreshing tonic as it pushes the boundaries of Hip-Hop both musically and lyrically.
The Windrush Volume 2 will be released in the UK on December 1st 2008.
Buy it at: www.seggedan.com www.myspace.com/britanyaa
Posted by Anna Nathanson
Pastor Troy
PASTOR TROY’S LATEST SERMON USHERS IN NEW ERA OF HIP HOP
Congregations of hip hop lovers everywhere are being drawn into the world vividly described by Pastor Troy on his latest offering Stay True (845 Entertainment).
Upon first listen, it becomes clear that Troy is no longer preaching to the choir. Instead, he takes aim at the unconverted -- the nonbelievers -- and gives them a deliciously devilish dose of their own medicine.
Boasting the talents of much-touted producers Cooley C, Drumm, P.NO and Shawty Redd.
Stay True finds Troy mixing it up with a new crop of music makers. The sound is still recognizable, however, and stays true to the renown, get-crunk-represent-the-dirty-south style that he introduced with his 1999 debut We Ready- I Declare War and 2001's Face Off.
The first single is “Well – Un – HUH,” a song best described as up tempo, rugged and real. Of the track Troy says: “ This song is a trademark phrase of mine that I made into a hook which I feel my fans will enjoy.”
Born Micah Levar Troy in College Park, GA, Troy, 24, is the son of a drill sergeant-turned-pastor who laid down strict household rules and made sure his son was introduced to the church at an early age. But like most kids on his block, the young Troy was also exposed to street life. It is that dichotomy, that contradiction of influences, that continues to be reflected in his music today: the respectful preacher's kid who knows better but can't resist indulging his naughty side; the gentlemanly boy next door who seems oblivious to the wiles of his street corner friends but, in actuality, is far craftier than they could ever be.
On Stay True, Troy flirts with religion in one breath, embraces street life in the next and somehow manages to treat them with equal reverence.
Recording the album proved to be a cathartic experience for the rapper. “This album was very relaxing due to the creative control I had in putting it together,” he said “I really enjoyed myself.”
Since his beginnings, Troy's ascension in rap has been steady, earning him the respect of his peers and his fans. This release marks Troy’s first release on (845 Entertainment Distributed by SMC/Fontana Universal). The move to an indie label is proving fruitful for the rapper – “This is cool because you don’t have to sell a million records to get paid and you have more artistic control.”
Posted by Anna Nathanson
Congregations of hip hop lovers everywhere are being drawn into the world vividly described by Pastor Troy on his latest offering Stay True (845 Entertainment).
Upon first listen, it becomes clear that Troy is no longer preaching to the choir. Instead, he takes aim at the unconverted -- the nonbelievers -- and gives them a deliciously devilish dose of their own medicine.
Boasting the talents of much-touted producers Cooley C, Drumm, P.NO and Shawty Redd.
Stay True finds Troy mixing it up with a new crop of music makers. The sound is still recognizable, however, and stays true to the renown, get-crunk-represent-the-dirty-south style that he introduced with his 1999 debut We Ready- I Declare War and 2001's Face Off.
The first single is “Well – Un – HUH,” a song best described as up tempo, rugged and real. Of the track Troy says: “ This song is a trademark phrase of mine that I made into a hook which I feel my fans will enjoy.”
Born Micah Levar Troy in College Park, GA, Troy, 24, is the son of a drill sergeant-turned-pastor who laid down strict household rules and made sure his son was introduced to the church at an early age. But like most kids on his block, the young Troy was also exposed to street life. It is that dichotomy, that contradiction of influences, that continues to be reflected in his music today: the respectful preacher's kid who knows better but can't resist indulging his naughty side; the gentlemanly boy next door who seems oblivious to the wiles of his street corner friends but, in actuality, is far craftier than they could ever be.
On Stay True, Troy flirts with religion in one breath, embraces street life in the next and somehow manages to treat them with equal reverence.
Recording the album proved to be a cathartic experience for the rapper. “This album was very relaxing due to the creative control I had in putting it together,” he said “I really enjoyed myself.”
Since his beginnings, Troy's ascension in rap has been steady, earning him the respect of his peers and his fans. This release marks Troy’s first release on (845 Entertainment Distributed by SMC/Fontana Universal). The move to an indie label is proving fruitful for the rapper – “This is cool because you don’t have to sell a million records to get paid and you have more artistic control.”
Posted by Anna Nathanson
B-Legit
Long considered one of the top emcees on the left coast, B-Legit, AKA The Savage, is a bonafide rap star. COO of the independent powerhouse, Sick-Wid-It Records, the Vallejo native is recognized for contributing mightily to the Bay Area Hip Hop movement and overall culture, helping pave the way for artists among the likes of Mack 10, Snoop Dogg, Kurupt, Keak Da Sneak and Sugar Free along the way. A centerpiece on genre defining albums such as Down and Dirty, Game Related and Money & Muscle, the gruff voiced game spitter is O.G. as they come.
Legit’s legend grew in 1996 when he signed a solo deal with Jive Records, subsequently releasing – Hemp Museum and Hempin’ Ain’t Easy (1998). His rise soon fell victim to the times though, as pop artists like Brittney Spears, Back Street Boys and NSync, were in high demand. As a result, emcees with devout Hip Hop followings like B Legit, suffered in the way of allotted money, time and attention from the major label. Fortunately, Allen Grumblet, president of Koch Records, was impressed enough with Bela’s hustle and flow to buy the rapper out of his contract with Jive. One hundred and thirty five thousand units later, the satisfied independent moved to push Hard 2 B Legit a September 2002 release.
Arguably one of his best albums to date, Hard… sold a modest 75,000 units. A relative success for the indie, B was forced to momentarily sever ties with Koch due to bootleg CD purchases (i.e. downloading and burned copies). Despite the financial woes of the label and its inability to provide significant budgets for promo tours/packages and distribution, 2004 provided B Legit the opportunity to form his own conglomerate – Block Movement Media Corporation – a decision independent of Sick-Wid-It.
“Sic-Wid-It is ‘records’ and ‘media’ covers the whole nine,” B reasons. “I wanted to have something that was going to identify [me] solo, so it was time to expand the wings a little bit.”
Between the years of 2003 and 2005, B began instituting mentoring programs for the youth in the way of seminars and presentations. An official sponsor for the Coats for Kids Xmas Drive in Detroit, Legit continued to prove his worth in and outside of the Bay Area. He delivered meaningful messages to youth in the Oakland California School District, spoke at various high schools and never missed an opportunity to stress the importance of education. Additionally, he coached youth basketball, dropped science as a panelist for a Hip Hop forum in San Francisco, and sponsored youth baseball and health educator athletic teams.
Outside of his philanthropic efforts 2003 remained positive for B-Legit’s music career as he toured the US and Canada, making frequent spot dates in Portland, Washington, Fresno, Modesto and a number of other Northwest hotspots. In the same breath, he performed with notable Hip Hop heavyweights such as Too Short, E-40, Yukmouth and Nelly, all the while maintaining his presence on radio (West Coast Reno – 93.7, KWYN and 106.1 KMEL) and in magazines (THE SOURCE, XXL, SHOWCASE, EXPLOSIVE, etc.).
Most recently B-Legit secured a deal with SMC Recordings and Universal Music Group subsidiary Fontana, effectively ending his three year absence from the game. “It gives me an opportunity to lead my own way,” Legit says. “This gives me a way to where I can custom design [my material]. Now I got a chance to really put on my CEO hat.”
A subtle departure form his signature sound, B-Legit’s new album, Block Movement, is Bay Area Hip Hop at its finest and possibly his most rounded work to date. Complete with producers from various regions of the country, Block Movement hits on all cylinders, beginning with the sonic movement down south. It continues to impress with old school mob music and mainstream thump, effectively delivering what the rapper likes to call “Feel Good Music.”
“It’s just music that you can feel,” Legit says. “It’s music with soulful hooks. Anybody that has a background from the South or the church, you can just feel those certain hymns and certain notes: the soul. [At the same time,] it’s whatever it is that makes you feel good. You get you a nice pair of shoes and a nice clean truck, drive off and listen to some feel good music.”
The Rick Rock produced “Guess Who’s Back,” featuring E-40, is currently setting B’s new standard, already earning a worthy amount of spins on the Bay Area radio stations. “That’s just to warm up my area to let them know I’m comin’ back,” he offers. “This is where the maturity and my support comes from: home.”
Mall (St. Louis) and Gold Fingers (Dallas), do their part on the production side as well, delivering respective bangers in their own right. “What they do is bring that Midwest, down South sound over the Bay Area lyrics,” B explains. “It’s a beautiful combination.” Bay area producers, including Richmond’s LJ Philly (“Friends” and “Wanna Know Your Name”), Ponte (“Kick It Tonight” and “I Can’t Change”) and Bedrock, also contribute, helping create B Legit’s most versatile album to date.
Posted by Anna Nathanson
Legit’s legend grew in 1996 when he signed a solo deal with Jive Records, subsequently releasing – Hemp Museum and Hempin’ Ain’t Easy (1998). His rise soon fell victim to the times though, as pop artists like Brittney Spears, Back Street Boys and NSync, were in high demand. As a result, emcees with devout Hip Hop followings like B Legit, suffered in the way of allotted money, time and attention from the major label. Fortunately, Allen Grumblet, president of Koch Records, was impressed enough with Bela’s hustle and flow to buy the rapper out of his contract with Jive. One hundred and thirty five thousand units later, the satisfied independent moved to push Hard 2 B Legit a September 2002 release.
Arguably one of his best albums to date, Hard… sold a modest 75,000 units. A relative success for the indie, B was forced to momentarily sever ties with Koch due to bootleg CD purchases (i.e. downloading and burned copies). Despite the financial woes of the label and its inability to provide significant budgets for promo tours/packages and distribution, 2004 provided B Legit the opportunity to form his own conglomerate – Block Movement Media Corporation – a decision independent of Sick-Wid-It.
“Sic-Wid-It is ‘records’ and ‘media’ covers the whole nine,” B reasons. “I wanted to have something that was going to identify [me] solo, so it was time to expand the wings a little bit.”
Between the years of 2003 and 2005, B began instituting mentoring programs for the youth in the way of seminars and presentations. An official sponsor for the Coats for Kids Xmas Drive in Detroit, Legit continued to prove his worth in and outside of the Bay Area. He delivered meaningful messages to youth in the Oakland California School District, spoke at various high schools and never missed an opportunity to stress the importance of education. Additionally, he coached youth basketball, dropped science as a panelist for a Hip Hop forum in San Francisco, and sponsored youth baseball and health educator athletic teams.
Outside of his philanthropic efforts 2003 remained positive for B-Legit’s music career as he toured the US and Canada, making frequent spot dates in Portland, Washington, Fresno, Modesto and a number of other Northwest hotspots. In the same breath, he performed with notable Hip Hop heavyweights such as Too Short, E-40, Yukmouth and Nelly, all the while maintaining his presence on radio (West Coast Reno – 93.7, KWYN and 106.1 KMEL) and in magazines (THE SOURCE, XXL, SHOWCASE, EXPLOSIVE, etc.).
Most recently B-Legit secured a deal with SMC Recordings and Universal Music Group subsidiary Fontana, effectively ending his three year absence from the game. “It gives me an opportunity to lead my own way,” Legit says. “This gives me a way to where I can custom design [my material]. Now I got a chance to really put on my CEO hat.”
A subtle departure form his signature sound, B-Legit’s new album, Block Movement, is Bay Area Hip Hop at its finest and possibly his most rounded work to date. Complete with producers from various regions of the country, Block Movement hits on all cylinders, beginning with the sonic movement down south. It continues to impress with old school mob music and mainstream thump, effectively delivering what the rapper likes to call “Feel Good Music.”
“It’s just music that you can feel,” Legit says. “It’s music with soulful hooks. Anybody that has a background from the South or the church, you can just feel those certain hymns and certain notes: the soul. [At the same time,] it’s whatever it is that makes you feel good. You get you a nice pair of shoes and a nice clean truck, drive off and listen to some feel good music.”
The Rick Rock produced “Guess Who’s Back,” featuring E-40, is currently setting B’s new standard, already earning a worthy amount of spins on the Bay Area radio stations. “That’s just to warm up my area to let them know I’m comin’ back,” he offers. “This is where the maturity and my support comes from: home.”
Mall (St. Louis) and Gold Fingers (Dallas), do their part on the production side as well, delivering respective bangers in their own right. “What they do is bring that Midwest, down South sound over the Bay Area lyrics,” B explains. “It’s a beautiful combination.” Bay area producers, including Richmond’s LJ Philly (“Friends” and “Wanna Know Your Name”), Ponte (“Kick It Tonight” and “I Can’t Change”) and Bedrock, also contribute, helping create B Legit’s most versatile album to date.
Posted by Anna Nathanson
Beeda Weeda
Beeda Weeda extraordinaire, the 24 year-old Producer/Rapper from East Oakland, CA, hit the scene in the early 2006 with his first single “Turfs Up.” Soon after, he made Bay Area history by remixing the smash to include such greats as E-40, Turf Talk, Dem Hoodstars, Too Short, San Quinn and Eddie P. You may have heard his production for such artists as: Suga Free, Yukmouth, Askari X, Under Survalance and the Brooklyn-based Wildcats. You may have heard him rhyme on a number of Bay Area compilations and collaborations. Beeda's homebase is Oakland’s PTB Records (Pushing the Beat) who not to long ago merged with Clear Label Records (founded by Tajai of the legendary Hieroglyphics) to form the ClearBeat label. This was unexpected move for both labels considering they march to beat of a different drum, (for lack of better words) yet both have had great independent success.
Young Beeda Weeda hails from the notorious Murder Dubbs neighborhood in East Oakland, which sets the backdrop for his raw and uncut lyrics. He first showcased his skills on a national scale with Homework, an all-original mix-album (ClearBeat, May 2006; Mixed by the Bay Area Mixtape Kings The Demolition Men) in May of 2006. Not long after Beeda released his now classic debut album, Turfology 101 (ClearBeat/Hiero Imperium, July 2006) which has definitely created a major buzz and enabled Beeda to solidify his presence in the industry. The “Turfs Up” video aired on 32 stations and generated over 1,000,000 hits online. Beeda was also number 3 on Myspace's top 10 Hip Hop/Rap artists.
Even without such impressive stats, it is easy to see that Beeda is talented and exudes a captivating swagger. He is also versatile, prolific and produces classics. Beeda plans to further build his legacy in 2008 and beyond. Since dropping Turfology 101, Beeda has featured on numerous albums and made several TV appearances. He has also filmed 2 more videos; "On Like Shit” (from the Homework album) and "U Don't Hear My Tummy" (from his upcoming SMC/Thizz/Clearbeat, Fall 2008 album, The Thizness). The latter is in heavy rotation online and generating major views. Beeda also recently released his second all-original Mix-album "Talk Shit Swallow Spit" (ClearBeat, 2008; also arranged by the Demolition Men), and is now putting the final touches on his 2nd full-length album, Baserock Babies (ClearBeat, Summer 2008). This album, produced by Dj Fresh of “Tonite Show” fame, is a throwback to the gritty sounds golden-era Hip-Hop. All of this is done in preparation for the release of his opus, Turf Radio (Clearbeat, 2009), which promises to be another classic. Yes, the boy is busy! Obviously a trendsetter and not a follower; Beeda Weeda is definitely on his way to superstardom.
Posted by Anna Nathanson
Young Beeda Weeda hails from the notorious Murder Dubbs neighborhood in East Oakland, which sets the backdrop for his raw and uncut lyrics. He first showcased his skills on a national scale with Homework, an all-original mix-album (ClearBeat, May 2006; Mixed by the Bay Area Mixtape Kings The Demolition Men) in May of 2006. Not long after Beeda released his now classic debut album, Turfology 101 (ClearBeat/Hiero Imperium, July 2006) which has definitely created a major buzz and enabled Beeda to solidify his presence in the industry. The “Turfs Up” video aired on 32 stations and generated over 1,000,000 hits online. Beeda was also number 3 on Myspace's top 10 Hip Hop/Rap artists.
Even without such impressive stats, it is easy to see that Beeda is talented and exudes a captivating swagger. He is also versatile, prolific and produces classics. Beeda plans to further build his legacy in 2008 and beyond. Since dropping Turfology 101, Beeda has featured on numerous albums and made several TV appearances. He has also filmed 2 more videos; "On Like Shit” (from the Homework album) and "U Don't Hear My Tummy" (from his upcoming SMC/Thizz/Clearbeat, Fall 2008 album, The Thizness). The latter is in heavy rotation online and generating major views. Beeda also recently released his second all-original Mix-album "Talk Shit Swallow Spit" (ClearBeat, 2008; also arranged by the Demolition Men), and is now putting the final touches on his 2nd full-length album, Baserock Babies (ClearBeat, Summer 2008). This album, produced by Dj Fresh of “Tonite Show” fame, is a throwback to the gritty sounds golden-era Hip-Hop. All of this is done in preparation for the release of his opus, Turf Radio (Clearbeat, 2009), which promises to be another classic. Yes, the boy is busy! Obviously a trendsetter and not a follower; Beeda Weeda is definitely on his way to superstardom.
Posted by Anna Nathanson
Scarface
Scarface quickly became the South's most admired rapper and remained so throughout the '90s after breaking away from the Geto Boys to launch his solo career in 1991. Even if he never scored any national hits or stormed up the Billboard charts with any of his numerous albums throughout the '90s, no one could question his clout throughout the South. He essentially defined what it meant to be a Southern thug rapper years before anyone even coined the term Dirty South. This became glaringly evident in the late '90s when a massive wave of young MCs arose from Houston, New Orleans, and Memphis emulating his style of hard-boiled, ghetto-bred, straight-up hardcore rapping. Besides serving as the father of Southern thug rap, it seemed as if every hardcore rapper wanted to align himself with Scarface during the '90s -- everyone from Ice Cube and Dr. Dre to 2Pac and Master P collaborated with the former Geto Boy -- all in an attempt to foster credibility among the loyal Southern rap audience.
Yet despite his unquestionable influence, Scarface never crossed over to mainstream acceptance. His albums were often plagued with filler, his lyrics were simply too harsh for radio, and his uncompromising devotion to producer Mike Dean led to a stagnant, albeit trademark, sound. Still, likely because Scarface never crossed over and remained aligned to the streets, his influence never waned, making him one of the few veterans able to sustain in the here-today, gone-tomorrow rap game. In the early 2000s, Def Jam Records rewarded his staying power with a lucrative contract, a wealth of industry connections, and a powerful marketing push. Scarface consequently enjoyed the most successful album of his career, The Fix (2002), and a revival of interest in his back catalog, which his former label, Rap-a-Lot, repackaged that same year on Greatest Hits.
Before Brad Jordan became known as Scarface, he called himself Akshen. As such, he began his rap career first as a solo artist in his native Houston during the mid-'80s for James Smith's then fledging Rap-a-Lot label. Smith was trying to launch a group he tagged the Geto Boys, and he eventually asked Akshen to join the group in the late '80s. The Geto Boys' debut album -- Grip It! On That Other Level (1990), later repackaged and re-released that same year simply as The Geto Boys -- shocked many with its vivid depictions of violence and its overall extreme nature. This album featured the song "Scarface," which introduced Akshen's alter ego, a title he would keep from that point onward. The ensuing controversy surrounding the group's debut put the Geto Boys on the map and set the stage for the impressive We Can't Be Stopped (1991). In the wake of the group's national success came solo albums, one of which being Scarface's debut, Mr. Scarface Is Back (1991). The album made it evident who the group's most talented member was, and the acclaim showered on Scarface resulted in bitter tensions among his fellow Geto Boys, Bushwick Bill and Willie D. By the time Scarface returned with his follow-up album, The World Is Yours (1993), his reputation overshadowed that of his group's. Willie D consequently departed, and the the Geto Boys never again rivaled We Can't Be Stopped, releasing half-hearted, albeit popular, efforts with a new lineup before later reuniting in the late '90s. In the meantime, Scarface continued to funnel his efforts into additional solo efforts: The Diary (1994) and Untouchable (1997). He then released the double-disc My Homies (1998), a bloated effort laden with guests, many of the South's leading rappers.
It wasn't until 2000, though, that Scarface won substantial admiration from the greater rap community with Last of a Dying Breed, his most personal and focused album in years. As a result, he was awarded Lyricist of the Year at the 2001 Source Awards and was offered a promising deal with Def Jam Records. The powerhouse East Coast label wanted Scarface to helm its Def Jam South subsidiary division, and the rapper obliged, first signing Ludacris, who became an overnight superstar, and then releasing his own album, The Fix (2002). Led by a Kayne West-produced collaboration with Jay-Z, "Guess Who's Back," it spawned a popular single, "My Block," and attracted widespread embrace. Rap-a-Lot furthered Scarface's newfound coast-to-coast acceptance with the rapper's first best-of collection, Greatest Hits (2002). In 2005, he reunited with Willie D and Bushwick Bill and put together The Foundation, another Geto Boys album. A year later he introduced his new crew, the Product, with the album One Hunid and released a second volume of My Homies. Also landing in 2006 was 2 Face, a collection of tracks featuring Scarface and the late 2Pac.
Godfather of the south introduces the future of Texas with Green City
His Label – Underground railroad (has put out 1 album on Koch in 2006) –
name of group: The Product – did same deal with SMC for Green City
He formed the label to discover new talent and develop it just like he did with Ludacris and with Devin the Dude.
1st record on SMC is a group from Killeen, TX named Green City, he appears on the album, available for interviews, etc. Green City – 7 members. Heard music when he was at a gym and found out these guys were not on a label and spoke to them that day and signed them on the spot. He met group in Houston (they flew in from Kailleen) 2 weeks later and Green City began recording their album – “Brand New Money”.
Album features Manny Fresh, Scarface
2 semi-pro boxers from Killeen that went to high school with the guys and they were playing the music at the gym in Houston.
Members:
Spark Dawg – main rappers - President
Mike Hee – main rappers (Ali is his manger and also Vice President of the label)
Yung Texxus – main rappers Co-CEO
MJ
J. Scott
Big Spade (member – but in jail – parole violation – on a track or two)
G – Ni (from Atlanta – member – in house producer, produced a few tracks for the album, that is how he started up in group – Spark Dawg brought him in, was a producer on Spark’s solo joint – lots of mixtapes)
Patiently waiting section of Ozone Magazine – October 2006
Scotty Lee – CEO of label Green City and he also founded the group, but not a rapper, a business man. Group was his dream, he brought the guys together in high school to form the group.
Green City – what does it mean – it represents the name Killeen, it rhymes with the city and it also represents money. All the members attended Killeen high school and became good friends, Spark made grills for people in school, that is how he met the others.
Green City is also a click, and a movement – there are other people that are in the click, but not as rappers.
Killean is a Milatary town and it is connected to Ft. Hood (the biggest millarty base in the world). 45 minutes north of Austin. How is their style different – they are real 80’s babies (early 20’s), they are young and new artists are their legends and who they grew up listening to – Swishahouse, Fabulous, Ludacris, TI, Bum D, Scarface hero (even before the deal)
Being from a military town – there are people from all over the country and they hear stuff from all over the place. Have a sound that is mixed with Texas influence with a whole national feel. Nothing like the Houston sound.
What is it like working with Face? Face is not Hollywood at all, he is well respected, and is very down to earth. Easy to chill with, regular dude, “Uncle Face”. It is surreal that they are working with him – he is a hero, a legend in their eyes, Face makes it real easy by being real and acting like a regular dude. No other Texas person can give you such a big co-sign is Face. Can’t lose with him backing them up/haiving their back.
“No one else in Texas can give you a bigger co-sign than Scarface, we are blessed to working with him.” - Spark
What is the first single – “Party like a Rock Star” – featuring Manny Fresh (possibly with Mike Jones – he might be on remix), produced by Da Champ (young 18 year old – Spark manages him, found him in Austin)
Posted by Anna Nathanson
Yet despite his unquestionable influence, Scarface never crossed over to mainstream acceptance. His albums were often plagued with filler, his lyrics were simply too harsh for radio, and his uncompromising devotion to producer Mike Dean led to a stagnant, albeit trademark, sound. Still, likely because Scarface never crossed over and remained aligned to the streets, his influence never waned, making him one of the few veterans able to sustain in the here-today, gone-tomorrow rap game. In the early 2000s, Def Jam Records rewarded his staying power with a lucrative contract, a wealth of industry connections, and a powerful marketing push. Scarface consequently enjoyed the most successful album of his career, The Fix (2002), and a revival of interest in his back catalog, which his former label, Rap-a-Lot, repackaged that same year on Greatest Hits.
Before Brad Jordan became known as Scarface, he called himself Akshen. As such, he began his rap career first as a solo artist in his native Houston during the mid-'80s for James Smith's then fledging Rap-a-Lot label. Smith was trying to launch a group he tagged the Geto Boys, and he eventually asked Akshen to join the group in the late '80s. The Geto Boys' debut album -- Grip It! On That Other Level (1990), later repackaged and re-released that same year simply as The Geto Boys -- shocked many with its vivid depictions of violence and its overall extreme nature. This album featured the song "Scarface," which introduced Akshen's alter ego, a title he would keep from that point onward. The ensuing controversy surrounding the group's debut put the Geto Boys on the map and set the stage for the impressive We Can't Be Stopped (1991). In the wake of the group's national success came solo albums, one of which being Scarface's debut, Mr. Scarface Is Back (1991). The album made it evident who the group's most talented member was, and the acclaim showered on Scarface resulted in bitter tensions among his fellow Geto Boys, Bushwick Bill and Willie D. By the time Scarface returned with his follow-up album, The World Is Yours (1993), his reputation overshadowed that of his group's. Willie D consequently departed, and the the Geto Boys never again rivaled We Can't Be Stopped, releasing half-hearted, albeit popular, efforts with a new lineup before later reuniting in the late '90s. In the meantime, Scarface continued to funnel his efforts into additional solo efforts: The Diary (1994) and Untouchable (1997). He then released the double-disc My Homies (1998), a bloated effort laden with guests, many of the South's leading rappers.
It wasn't until 2000, though, that Scarface won substantial admiration from the greater rap community with Last of a Dying Breed, his most personal and focused album in years. As a result, he was awarded Lyricist of the Year at the 2001 Source Awards and was offered a promising deal with Def Jam Records. The powerhouse East Coast label wanted Scarface to helm its Def Jam South subsidiary division, and the rapper obliged, first signing Ludacris, who became an overnight superstar, and then releasing his own album, The Fix (2002). Led by a Kayne West-produced collaboration with Jay-Z, "Guess Who's Back," it spawned a popular single, "My Block," and attracted widespread embrace. Rap-a-Lot furthered Scarface's newfound coast-to-coast acceptance with the rapper's first best-of collection, Greatest Hits (2002). In 2005, he reunited with Willie D and Bushwick Bill and put together The Foundation, another Geto Boys album. A year later he introduced his new crew, the Product, with the album One Hunid and released a second volume of My Homies. Also landing in 2006 was 2 Face, a collection of tracks featuring Scarface and the late 2Pac.
Godfather of the south introduces the future of Texas with Green City
His Label – Underground railroad (has put out 1 album on Koch in 2006) –
name of group: The Product – did same deal with SMC for Green City
He formed the label to discover new talent and develop it just like he did with Ludacris and with Devin the Dude.
1st record on SMC is a group from Killeen, TX named Green City, he appears on the album, available for interviews, etc. Green City – 7 members. Heard music when he was at a gym and found out these guys were not on a label and spoke to them that day and signed them on the spot. He met group in Houston (they flew in from Kailleen) 2 weeks later and Green City began recording their album – “Brand New Money”.
Album features Manny Fresh, Scarface
2 semi-pro boxers from Killeen that went to high school with the guys and they were playing the music at the gym in Houston.
Members:
Spark Dawg – main rappers - President
Mike Hee – main rappers (Ali is his manger and also Vice President of the label)
Yung Texxus – main rappers Co-CEO
MJ
J. Scott
Big Spade (member – but in jail – parole violation – on a track or two)
G – Ni (from Atlanta – member – in house producer, produced a few tracks for the album, that is how he started up in group – Spark Dawg brought him in, was a producer on Spark’s solo joint – lots of mixtapes)
Patiently waiting section of Ozone Magazine – October 2006
Scotty Lee – CEO of label Green City and he also founded the group, but not a rapper, a business man. Group was his dream, he brought the guys together in high school to form the group.
Green City – what does it mean – it represents the name Killeen, it rhymes with the city and it also represents money. All the members attended Killeen high school and became good friends, Spark made grills for people in school, that is how he met the others.
Green City is also a click, and a movement – there are other people that are in the click, but not as rappers.
Killean is a Milatary town and it is connected to Ft. Hood (the biggest millarty base in the world). 45 minutes north of Austin. How is their style different – they are real 80’s babies (early 20’s), they are young and new artists are their legends and who they grew up listening to – Swishahouse, Fabulous, Ludacris, TI, Bum D, Scarface hero (even before the deal)
Being from a military town – there are people from all over the country and they hear stuff from all over the place. Have a sound that is mixed with Texas influence with a whole national feel. Nothing like the Houston sound.
What is it like working with Face? Face is not Hollywood at all, he is well respected, and is very down to earth. Easy to chill with, regular dude, “Uncle Face”. It is surreal that they are working with him – he is a hero, a legend in their eyes, Face makes it real easy by being real and acting like a regular dude. No other Texas person can give you such a big co-sign is Face. Can’t lose with him backing them up/haiving their back.
“No one else in Texas can give you a bigger co-sign than Scarface, we are blessed to working with him.” - Spark
What is the first single – “Party like a Rock Star” – featuring Manny Fresh (possibly with Mike Jones – he might be on remix), produced by Da Champ (young 18 year old – Spark manages him, found him in Austin)
Posted by Anna Nathanson
Killer Mike
SMC PLEDGES ALLEGIANCE TO KILLER MIKE & GRIND TIME OFFICIAL
San Francisco, CA, November 6, 2007 - Killer Mike and his Atlanta based label, Grind Time Official, have joined forces with Bay Area based record label, SMC Recordings. The first release from this dynamic partnership will be the continuation of Killer Mike's critically acclaimed Pledge series and will be titled, I Pledge Allegiance To The Grind II.
Killer Mike got his formal introduction when he first appeared on the Outkast single "The Whole World" for which he won a Grammy. Mike then signed to Outkast's Aquemini label, which was distributed by Columbia Records, and in 2003 released his debut album, "Monster" which went Gold. After a short stay at Big Boi’s label, Purple Ribbon/Virgin, Mike decided it was time for him to make moves on his own and he established Grind Time Official in 2004. With no distribution, Grind Time still made an impact with Killer Mike releases including, “Dec Crack” in 2004, “The Killer” which won the SEA Mixtape of the Year Award in 2005, and “I Pledge Allegiance to The Grind I”, which won Best Street Album at this years Ozone Awards.
The first single from I Pledge Allegiance To The Grind II will be released in December, the street date for the album release will be early 2008. Pledge II boasts an impressive line up of both Southern and Bay Area rappers, which will include appearances by notable legends, 8 Ball and MJG, UGK and Trae, with more to be announced. As he did with “I Pledge Allegiance to The Grind I”, Mike will reunite with producers Chaotic Beats, Heatwave and The D Majors for part II and also will include beats from Marvelous J and The Beat Bullies.
Killer Mike is excited about teaming up with SMC, about being his own boss and is looking forward to bringing new music to his fans, “If you work hard and grind hard, it will pay off in the end! I was a worker, now I’m a boss!” Will Bronson, co-owner of SMC Recordings, is ready for the 2008 release, “All we wanna do is release great records by dope and refreshing artists– Killer Mike and the Grind Time Official artists embody that. Needless to say, (Killer) Mike is f**king perfect to kick 2008 off with!”
Grind Time and SMC are looking ahead and after kicking off the partnership with I Pledge Allegiance To The Grind II at the on-set of 2008, they plan to continue their partnership with a release from SL Jones and other members of the Grind Time Rap Gang. Be sure to be on the look out for I Pledge Allegiance To The Grind II in 2008 and Grind Time Rap Gang, Bang! Bang! Bang!
You can also catch Killer Mike on his web show Super Deluxe – Killer Mike’s Grind Time Sport’s Show - http://www.superdeluxe.com/sd/artist/killer_mike
http://www.myspace.com/grindtimeonline
Posted by Anna Nathanson
San Francisco, CA, November 6, 2007 - Killer Mike and his Atlanta based label, Grind Time Official, have joined forces with Bay Area based record label, SMC Recordings. The first release from this dynamic partnership will be the continuation of Killer Mike's critically acclaimed Pledge series and will be titled, I Pledge Allegiance To The Grind II.
Killer Mike got his formal introduction when he first appeared on the Outkast single "The Whole World" for which he won a Grammy. Mike then signed to Outkast's Aquemini label, which was distributed by Columbia Records, and in 2003 released his debut album, "Monster" which went Gold. After a short stay at Big Boi’s label, Purple Ribbon/Virgin, Mike decided it was time for him to make moves on his own and he established Grind Time Official in 2004. With no distribution, Grind Time still made an impact with Killer Mike releases including, “Dec Crack” in 2004, “The Killer” which won the SEA Mixtape of the Year Award in 2005, and “I Pledge Allegiance to The Grind I”, which won Best Street Album at this years Ozone Awards.
The first single from I Pledge Allegiance To The Grind II will be released in December, the street date for the album release will be early 2008. Pledge II boasts an impressive line up of both Southern and Bay Area rappers, which will include appearances by notable legends, 8 Ball and MJG, UGK and Trae, with more to be announced. As he did with “I Pledge Allegiance to The Grind I”, Mike will reunite with producers Chaotic Beats, Heatwave and The D Majors for part II and also will include beats from Marvelous J and The Beat Bullies.
Killer Mike is excited about teaming up with SMC, about being his own boss and is looking forward to bringing new music to his fans, “If you work hard and grind hard, it will pay off in the end! I was a worker, now I’m a boss!” Will Bronson, co-owner of SMC Recordings, is ready for the 2008 release, “All we wanna do is release great records by dope and refreshing artists– Killer Mike and the Grind Time Official artists embody that. Needless to say, (Killer) Mike is f**king perfect to kick 2008 off with!”
Grind Time and SMC are looking ahead and after kicking off the partnership with I Pledge Allegiance To The Grind II at the on-set of 2008, they plan to continue their partnership with a release from SL Jones and other members of the Grind Time Rap Gang. Be sure to be on the look out for I Pledge Allegiance To The Grind II in 2008 and Grind Time Rap Gang, Bang! Bang! Bang!
You can also catch Killer Mike on his web show Super Deluxe – Killer Mike’s Grind Time Sport’s Show - http://www.superdeluxe.com/sd/artist/killer_mike
http://www.myspace.com/grindtimeonline
Posted by Anna Nathanson
Mistah F.A.B
Mistah F.A.B. readies his highly anticipated indie release, DA BAYDESTRIAN
Although Mistah F.A.B. has endured much scrutiny in the national press over the past few months for his single, “Ghost Ride It”, he prepares himself for his upcoming release on SMC Recordings this May with DA BAYDESTRIAN.
Born and raised in Oakland, CA, FAB encountered his first taste of fame when he entered The Source Magazine’s “Unsigned Hype Freestyle Battle” in 1999 and placed 3rd. This brought him to the attention of a local Bay Area based label – Straight Hits, who signed him in 2001. FAB released his first underground album with the label in 2003 entitled, “Nig-Latin”.
Bay Area legend, Mac Dre took notice of this fledgling rapper and enlisted him as one of the original members of the Thizz Nation. With the backing of this renowned rapper Mistah F.A.B. released “Mac Dre Presents Mistah F.A.B. – Son of a Pimp” in 2005 featuring the huge regional hit – “Super Sic Wit It” featuring E-40. The single ends up taking the Hyphy movement in a whole different direction, with the song lyric – “I do the dummy, retarded, and ride the yellow bus”. The Hyphy movement revolves around acting a fool and FAB took it one step further with these lyrics.
The song and the album propelled FAB to regional stardom. Soon every artist in the bay area started calling, wanting him to guest star on their albums. He was also featured on the MTV special, “My Block – The Bay” which caught the interest of many major labels - FAB decided to roll with Atlantic Records.
It is not unusual these days for an artist to be signed to two labels at once. After negotiating with Atlantic, the Bay Area giant, SMC Recordings was able to secure a deal with FAB as well. Will Bronson, Co-Founder of SMC speaks on his longstanding business relationship with FAB, “FAB and my history is crazy, we pretty much came up together. To be involved in this album and everything FAB's got going on- as corny as it sounds- is beyond business, this shit is personal, but that’s the way independent music should be."
Recording his album – DA BAYDESTRIAN in record time, the release will also feature FAB’s infamous DVD, “The Freestyle King” as a bonus as well as a “Yellow Bus Pass” to download “Son of a Pimp” for free. FAB explains why he decided to add extra features to his album, “"I'm puttin the Bonus DVD and free download of 'Son Of A Pimp' in there because that's the album that got my buzz crazy in the Bay. We're sayin' "Da Baydestrian" is the prequel to "Da Yellow Bus Rydah" so I wanna give you as much of me to get you ready for that."
DA BAYDESTRIAN will feature production by Rob-E, Sean-T, Traxxamillion, Young L among others and guest appearances from Too Short, Keak Da Sneak, Fabo from D4L, Mesy Marv and Spice 1. FAB’s next track off the album, “Get This Shit Together” has already been leaked on line and has been popping up on West coast radio stations. FAB wants everyone to know, "'Da Baydestrian' is for all the fans that’s been waiting for the last two years for something new. It's a project that's gonna rep the Bay to the fullest no strings attached and show everyone there's more to me than just goin' dumb. People forget that I really spit and think that all I do is ride Da Yellow Bus".
Never one to slow down, F.A.B. is already back in the studio working on his next album, “Da Yellow Bus Rydah” being released on Atlantic Records, "I know everyone is like what's up with the whole Atlantic deal? Yes, Atlantic is goin' to drop "Da Yellow Bus Rydah", DA BAYDESTRIAN is just the in between process. The music business is crazy. I'm puttin my heart into it, so to all the fans just be patient and post up at the bus stop".
Posted by Anna Nathanson
Although Mistah F.A.B. has endured much scrutiny in the national press over the past few months for his single, “Ghost Ride It”, he prepares himself for his upcoming release on SMC Recordings this May with DA BAYDESTRIAN.
Born and raised in Oakland, CA, FAB encountered his first taste of fame when he entered The Source Magazine’s “Unsigned Hype Freestyle Battle” in 1999 and placed 3rd. This brought him to the attention of a local Bay Area based label – Straight Hits, who signed him in 2001. FAB released his first underground album with the label in 2003 entitled, “Nig-Latin”.
Bay Area legend, Mac Dre took notice of this fledgling rapper and enlisted him as one of the original members of the Thizz Nation. With the backing of this renowned rapper Mistah F.A.B. released “Mac Dre Presents Mistah F.A.B. – Son of a Pimp” in 2005 featuring the huge regional hit – “Super Sic Wit It” featuring E-40. The single ends up taking the Hyphy movement in a whole different direction, with the song lyric – “I do the dummy, retarded, and ride the yellow bus”. The Hyphy movement revolves around acting a fool and FAB took it one step further with these lyrics.
The song and the album propelled FAB to regional stardom. Soon every artist in the bay area started calling, wanting him to guest star on their albums. He was also featured on the MTV special, “My Block – The Bay” which caught the interest of many major labels - FAB decided to roll with Atlantic Records.
It is not unusual these days for an artist to be signed to two labels at once. After negotiating with Atlantic, the Bay Area giant, SMC Recordings was able to secure a deal with FAB as well. Will Bronson, Co-Founder of SMC speaks on his longstanding business relationship with FAB, “FAB and my history is crazy, we pretty much came up together. To be involved in this album and everything FAB's got going on- as corny as it sounds- is beyond business, this shit is personal, but that’s the way independent music should be."
Recording his album – DA BAYDESTRIAN in record time, the release will also feature FAB’s infamous DVD, “The Freestyle King” as a bonus as well as a “Yellow Bus Pass” to download “Son of a Pimp” for free. FAB explains why he decided to add extra features to his album, “"I'm puttin the Bonus DVD and free download of 'Son Of A Pimp' in there because that's the album that got my buzz crazy in the Bay. We're sayin' "Da Baydestrian" is the prequel to "Da Yellow Bus Rydah" so I wanna give you as much of me to get you ready for that."
DA BAYDESTRIAN will feature production by Rob-E, Sean-T, Traxxamillion, Young L among others and guest appearances from Too Short, Keak Da Sneak, Fabo from D4L, Mesy Marv and Spice 1. FAB’s next track off the album, “Get This Shit Together” has already been leaked on line and has been popping up on West coast radio stations. FAB wants everyone to know, "'Da Baydestrian' is for all the fans that’s been waiting for the last two years for something new. It's a project that's gonna rep the Bay to the fullest no strings attached and show everyone there's more to me than just goin' dumb. People forget that I really spit and think that all I do is ride Da Yellow Bus".
Never one to slow down, F.A.B. is already back in the studio working on his next album, “Da Yellow Bus Rydah” being released on Atlantic Records, "I know everyone is like what's up with the whole Atlantic deal? Yes, Atlantic is goin' to drop "Da Yellow Bus Rydah", DA BAYDESTRIAN is just the in between process. The music business is crazy. I'm puttin my heart into it, so to all the fans just be patient and post up at the bus stop".
Posted by Anna Nathanson
Saturday 1 November 2008
Capone-E
As one of the forefathers of the Latin gangsta rap movement, Capone-e has made quite a name for himself while still only in his ‘20s. Capone-e’s latest effort, Don’t Get It Twisted (SMC Recordings) is an album designed to set the record straight about who rules the West Coast music scene.
Growing up in San Gabrielle Valley (SGV) in East LA, Capone-e was fed a steady diet of Nate Dogg, West Coast gangsta rap and oldies. He was heavily inspired by gang culture and watched as many of his childhood friends found themselves embroiled and eventually vanquished by it. Instead of falling into the same trap, Capone-e redirected his efforts into performing at house parties. He is now regarded as the first rapper to come out of the SGV and is a well known presence along the West coast.
The album, Don’t Get It Twisted, features a lead single by the same name, featuring the mega-successful Twista. With the release scheduled for Fall of 2006, Don’t Get It Twisted features production by Fingerz and Lil Joe, as well as additional cameos by Lil Easy E, Bizzy Bone, Layzie Bone and Lil Flip. His will continue his collaboration with Lil Flip later this year on an effort entitled “Lil Flip and Mr. Capone-e present…”
Don’t Get It Twisted is a record that all can enjoy - perfect for a party, but still gritty enough to earn respect on the streets. Capone-e is confident that his new alliance with SMC Recordings will ensure that the album reaches everyone with ears. “I like SMC for their independent label style, but they work hard and are organized. They deal with PR, radio and promotions like a major label and I like that they have distribution by Fontana,” he says.
Ralph Tashjian, CEO of SMC Recordings, shares in Capone-e’s excitement. “When I heard this album, it confirmed my belief that Capone-e was a perfect fit for SMC. He’s a break out star and we expect incredible sales,” he predicts, “This one can go the distance.”
Don’t Get It Twisted.
Posted by Anna Nathanson
Growing up in San Gabrielle Valley (SGV) in East LA, Capone-e was fed a steady diet of Nate Dogg, West Coast gangsta rap and oldies. He was heavily inspired by gang culture and watched as many of his childhood friends found themselves embroiled and eventually vanquished by it. Instead of falling into the same trap, Capone-e redirected his efforts into performing at house parties. He is now regarded as the first rapper to come out of the SGV and is a well known presence along the West coast.
The album, Don’t Get It Twisted, features a lead single by the same name, featuring the mega-successful Twista. With the release scheduled for Fall of 2006, Don’t Get It Twisted features production by Fingerz and Lil Joe, as well as additional cameos by Lil Easy E, Bizzy Bone, Layzie Bone and Lil Flip. His will continue his collaboration with Lil Flip later this year on an effort entitled “Lil Flip and Mr. Capone-e present…”
Don’t Get It Twisted is a record that all can enjoy - perfect for a party, but still gritty enough to earn respect on the streets. Capone-e is confident that his new alliance with SMC Recordings will ensure that the album reaches everyone with ears. “I like SMC for their independent label style, but they work hard and are organized. They deal with PR, radio and promotions like a major label and I like that they have distribution by Fontana,” he says.
Ralph Tashjian, CEO of SMC Recordings, shares in Capone-e’s excitement. “When I heard this album, it confirmed my belief that Capone-e was a perfect fit for SMC. He’s a break out star and we expect incredible sales,” he predicts, “This one can go the distance.”
Don’t Get It Twisted.
Posted by Anna Nathanson
San Quinn
San Quinn was born in Oakland, CA and later moved to San Francisco at age three to the Fillmore District. Like so many other rappers, he began rhyming to stay out of trouble. Quinn was raised in the same neighborhood as San Francisco legends- Rappin 4-Tay, JT the Bigga Figga, Messy Marv, and Andre Nickatina (AKA Dre Dog). Signed to Get Low Records at the tender age of fourteen, San Quinn released his first song "SFC" with GLP and RBL Posse. His debut album entitled Don't Cross Me under Get Low/Buck Fifty Records followed shortly thereafter. The genesis for his current stardom began, as Quinn went on to work with Master P and was featured on West Coast Bad Boyz 1 & 2, both of which have been certified Gold. He then dropped Live N' Direct, which featured the San Francisco anthem "Come On In" under Get Low Records in 1995.
By 1996, Northern California had created a deafening music buzz, nationally. Priority Records was doling out a handful of distribution deals, which included Master P’s No Limit Records, along with Get Low Records. With news of a new deal, San Quinn jumped right back in the studio and recorded The Hustle Continues under Get Low/Priority Records. By the age of eighteen, Quinn had been featured on multiple gold certified albums, released three solo albums, and became apart of the group: G.L.P. Quinn was at a turning point when he and his cousin Messy Marv joined forced and released Explosive Mode in 1998. From there Quinn began to tour extensively, performing with Jay-Z, Master P, and Monica, among others.
San Quinn's mission became clear; he decided to do whatever it took to bring San Francisco and the Bay Area to the forefront of the music industry. In 1998, he launched Done Deal Entertainment and by 2001, Quinn released The Mighty Quinn, which featured the single "Give It Up.” This track brought back the resurgence of Bay Area radio support for local music. Done Deal collaborated with former NBA superstar and longtime friend, J.R. Rider, to release San Quinn’s follow up album I Give U My Word. It was not until Quinn collaborated with SMC Recordings in 2006, that he released his biggest selling solo album to date, The Rock-Pressure Makes Diamonds, which spawned the regional smash “Hell Yeah.”
Quinn continues his partnership with SMC Recordings as he readies his second solo album, From A Boy To A Man, with the Bay Area label. Quinn’s achievements have helped shine a spotlight on his hometown’s music scene and looks forward to continued triumphs!
Posted by Anna Nathanson
By 1996, Northern California had created a deafening music buzz, nationally. Priority Records was doling out a handful of distribution deals, which included Master P’s No Limit Records, along with Get Low Records. With news of a new deal, San Quinn jumped right back in the studio and recorded The Hustle Continues under Get Low/Priority Records. By the age of eighteen, Quinn had been featured on multiple gold certified albums, released three solo albums, and became apart of the group: G.L.P. Quinn was at a turning point when he and his cousin Messy Marv joined forced and released Explosive Mode in 1998. From there Quinn began to tour extensively, performing with Jay-Z, Master P, and Monica, among others.
San Quinn's mission became clear; he decided to do whatever it took to bring San Francisco and the Bay Area to the forefront of the music industry. In 1998, he launched Done Deal Entertainment and by 2001, Quinn released The Mighty Quinn, which featured the single "Give It Up.” This track brought back the resurgence of Bay Area radio support for local music. Done Deal collaborated with former NBA superstar and longtime friend, J.R. Rider, to release San Quinn’s follow up album I Give U My Word. It was not until Quinn collaborated with SMC Recordings in 2006, that he released his biggest selling solo album to date, The Rock-Pressure Makes Diamonds, which spawned the regional smash “Hell Yeah.”
Quinn continues his partnership with SMC Recordings as he readies his second solo album, From A Boy To A Man, with the Bay Area label. Quinn’s achievements have helped shine a spotlight on his hometown’s music scene and looks forward to continued triumphs!
Posted by Anna Nathanson
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